Those earlier fellows failed additionally to recognize that each of these Gospels tells the exact year of Jesus’ Birth (750 AUC, our 3 BC) as well as the exact year of Jesus’ Crucifixion (784 AUC, Our 31 AD). No longer is it necessary to speculate about any of these matters.

This Codex enables us to know precisely when, where, and by whom each of the Four Gospels were written, as well as where and when some slight changes and additions to original manuscripts were made. The Four Gospels Comprising what I call Codex W were, and yet are, one set of First Century AD, Aramaic Annotated, Stamped, Sealed, and Signed Copies of Apostolic Era Manuscripts. They even include on the Wooden Cover, First Century AD Jewish Christian Painted Representations of Matthew, John, Luke, and Mark (in that order).

Luke’s Aramaic Seal from 74-75 AD, featured on this page, is just one of many scores of First Century AD Aramaic Entries I have found upon Codex W: Old and Holy.

The effect of my discoveries about this previously misdated Set of First Century AD Gospel Originals is sounding the death knell for, and is indeed mercifully and humanly killing, that Figment of Imagination known as “Q.” It had been incorrectly assumed, contrary to best evidences within Church History, and even contrary to Biblical Evidences, that a “more simple” Gospel of Mark was first written. Matthew and Luke then supposedly came along, each independently using Mark’s Earlier Gospel, to “Expand and Enhance” in keeping with later, “more advanced” Church Conceptions and Liturgies.

This Four Gospel set was bound into one book in AD 96. It has painted wooden covers, deriving from skillful Jewish Christian Artists. Their symbolic art includes cleverly interwoven Greek, Aramaic, and Latin alphabetic and Numeric Data. Pictured on those painted wooden covers are what very likely are accurate representations of the Gospel Namesakes.